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249  


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bK †Fb~8 H*& b£K Ax0 ]†J b›ŒD* bC –+ š¡£D* ŸAx†F b˜C Ÿ~zŒF b›ŒD* š¡žŒ˜D °H b›A f˜•’D q•€~|E ™žJ]D

œŒD* ¤A d~6b›gD*

Proportion in Art

f£cGwD* fc~z›D* H&* golden section ¤cGwD* $ymD* œ< kp+ ÉK jE ”b›žA *wG b›E¡J ¢g0 64Q ]J d~6b›gD* —*5 bE
fJ4b˜†˜D* f~6]›žD*H b£/¡D¡£cD*H ib£~9bJxD*H f~6]›žD* ¤€‰- ¤gD* ,]J]†D* ibBb£~zD* i*3 ¤›’£F¡C golden ratio
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phidias ¤Jx=(°* ibp›D*H 6]›ž˜D* ™~6° b†c- (ƴ) yExDb+ f£cGwD* fc~z›D* H&* ¤cGwD*

bC ¥wD* —b˜m•D ¡€~64*& šbƒF f<x~z+ 9¡Q B ¤›ŒD* e¡•~6°& *H šbžDÉD 4]~|˜C 2xŒD* ¢•< ¤~zFbEHxD* y£CxgD* œ’D"
š¡mžD* ™=4 –cB œE bžE*]B*& hs~64 ]B f£<bc€F°* f~64]˜D* hFbC k£0 f~¦ž›D* x~|< w›E ¤+x‰D* œŒ•D ,y£˜˜D* f˜~zD*
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‘Hb~zgD*H ™=b›gD*H ~6b›gD*H ,]0¡D*H d~6b›gD*H šbƒ›D*H —b˜mD* *]K J]p-

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f£•< ,x’ŒC —b˜mD* b’E “Dw+ –g0*H fŒ:b†C H*& 4¡†~{C –’~{gJ š¡žŒ˜D*

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—b˜mD* ™•< œE h•†/ fJ2]†- fŒ~z•A ixž; postmodernism f.*]pD* ]†+ bE 4¡ž;H modernism f.*]pD* —*H5 ‡EH
significance f£˜G°& * ¡G f£›ŒD* —b˜<°& * ™££gD fE$ÉE x£Jb†˜D* xjC*& qc~8&*H ¢~¦E hBH ¥*& œE ‡~6H&* 2b†+b& + "b<K b~{E b~9K 4*& "

‡B*¡•D ]J]/ ”*42(* –£’~{- ¢•< Ÿ-4]BH –˜†D* ,]/ ¥&*

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